Fielded: The Genre-Defying Journey of Lindsay Powell

Lindsay Powell, who performs under the moniker Fielded, has made a name for herself by consistently challenging genre norms and audience expectations. Initially birthed as an experimental noise project, Fielded's sound has evolved to embrace R&B, albeit with a unique twist that sets it apart from traditional interpretations of the genre.

Musical Evolution

Fielded's debut album, Ninety-Thirty-Thirty, showcases her eclectic influences with tracks reminiscent of 1980s synth-pop, complete with vibrant saxophone solos. Following this, her project Boy Angel ventures into quirky electronic realms, featuring lush saw-wave synths and frenetic percussion along with her soaring vocals.

Her 2020 release, Demisexual Lovelace, takes a slightly different turn, showcasing a sleek production style and collaborating with artists like Billy Woods and Elucid from Armand Hammer, creating a bridge between underground hip-hop and R&B.

Latest Album: Some Kind of Animal

The latest offering, Some Kind of Animal, is a rich tapestry woven from her various musical explorations. The album features slow-burning jams like “That Bitch” and a transformation of Nine Inch Nails’ “Closer” that channels the essence of 2000s neo-soul. Another standout track is “Heaven,” which includes a guest verse from Pink Siifu, merging industrial and funk elements.

Insights from Fielded

Curious about the mindset behind her music, we asked Fielded a few questions to delve deeper into her creative process and inspirations.

The Essentials of Creation

When asked about her most vital recording tool, she highlighted her Universal Audio Apollo Twin audio interface as essential. She appreciates its user-friendly features and the impressive digital studio plugins, both of which contribute to achieving a professional sound with ease.

Obsessions and Inspirations

Fielded admitted to having a unique interest in the world of scammers. She is captivated by stories of all shapes and sizes, from petty scams to elaborate frauds that have left lasting impacts. This passion for intriguing narratives seeps into her art, reflecting her ever-curious mind.

Additionally, her tab bar prominently features a pirated version of the Japanese cyberpunk film 964 Pinocchio, which serves as a source of both sonic and visual creativity.

Reflections on Growth

Fielded also expressed pride in her recent work, particularly the title track of Some Kind of Animal. It holds a special place in her heart, affirming her belief in the importance of progress in her musical journey.

On the topic of life advice, she shared a meaningful takeaway: “Be patient. Everything unfolds at its own time.” This philosophy shapes her approach to the unpredictable nature of both life and art, focusing on personal growth rather than comparison.

Additional Interests

In addition to her fascination with scams, Fielded mentioned the last piece of physical media she acquired—Alissa Bennett’s Taxidermist’s Handbook, another collection of captivating stories that explores the world of con artists.

Lastly, when asked for a tagline for her biopic, she whimsically noted, “Freak Today, Freak Tomorrow,” reflecting her unapologetic embrace of her unique identity and artistic journey.

As Fielded continues to captivate audiences with her genre-blending music and curious mindset, her ability to fuse eclectic influences promises an exciting future in the world of entertainment.